In which Harvey and Mike banter to beat the band, as if (spoiler alert) their beautiful friendship is soon to be over; we say goodbye (and good riddance) to Paula; Harvey refuses to accept Donna’s resignation from the firm; and we welcome back Stu the trader, and Harvey’s mom.
Let’s start with the case of the week, because it’s neither very interesting nor very germane to the relationship drama/character building goings-on that keep this show alive.
A former client named Teddy walks unannounced into Harvey’s office, making us realize that the show writers have not bothered to give Harvey a new secretary to replace Donna. Jessica never had one either. I guess in the Suits universe managing partners don’t have dedicated support staff. Makes no sense, but okay.
A few years ago, this Teddy person sold his shoe company to Adidas, who have now sold it to a sharky guy named Baxter. Baxter has decided to move the manufacturing off-shore so he can make more money. Teddy wants Harvey to see if there’s a way to stop this happening for the employees’ sake. Harvey asks Mike to take care of it, giving Mike the opportunity to joke about them being Superman and Aquaman, versus their old Batman and Robin shtick.
Mike comes up with another way to increase the company’s income that still protects jobs, but Baxter refuses it. Harvey and Mike decide the solution to Baxter’s dickishness is to short his stock. Donna, wearing a great dress that is, for once, office-appropriate, and has a bit of an Anna Karenina or maybe Doctor Zhivago vibe to it, asks her old buddy Stu the trader to do the stock manipulation. When he brings up the illegality and risk involved, she tells him he’s getting soft and needs to strut his gunslinger stuff again.
When the stock-shorting doesn’t have the desired effect, Teddy and Harvey come up with a new plan inspired by Donna’s new COO position at Specter Litt: they will give the shoe company employees an ownership stake, and they & Teddy will buy the company back from Baxter (yawn).
Meanwhile, in Harvey’s private life, he makes a dinner date with Paula so that they can remember why they like each other (how much fun does that date sound like?). When asked, he suggests she wear “the dress with the thing,” the thing apparently being a low-cut neckline that shows off her cleavage. Kind of like the necklines Donna wears to work every day, right Harvey? His mother, with whom I had forgotten he is reconciled, calls and cheerily suggests dinner on the same night. Paula doesn’t think she and Harvey are really at the meet-the-parents stage yet, but agrees to meet the mom. The dinner seems to go well. The mom tells a story about how Harvey the adorable child once stood on the piano and sang (we need to see the home video of this, please). Before leaving, the mom thanks Paula for being the special person in Harvey’s life who suggested he mend fences with her a few months ago, which comment leads to this reaction
because the special person who suggested that was Donna. After dinner, Paula tells Harvey she can’t handle being in a three-person relationship with an ex who is also his co-worker. Harvey, looking for a way out of this dicey sitch, asks Stu to offer Donna a job. Stu is happy to do it, because he thinks Donna is aces.
Donna does a good acting job (those theatre skills) when Stu offers to hire her, and says she’ll think about it. She then goes to Harvey. She knows he put Stu up to the job offer, and asks why he didn’t fire her if he wants to get rid of her, and why didn’t he stick up for her? He could never fire her, he says.
Donna visits Paula to apologize for the tragic kiss mistake and pleads for Paula’s support – as a woman and a professional –. for Donna to keep her job. Paula asks her to swear nothing like the kiss will ever happen again. When Donna hesitates, Paula sees where this is going – someone’s going to have to leave the show, and it won’t be a series regular and star who has renewed her contract for season 8.
Donna reads in voiceover a resignation letter that she leaves on Harvey’s desk after cleaning out her office. Harvey goes to Paula, says, “I wanted this to work more than you know, but I can’t give you what you need,” and breaks up with her. They both cry, Paula more so.
Harvey makes a surprise drop-in at Donna’s apartment, where she is having a great hair evening in her classy lounge wear, as one does (not). He rips up her resignation letter, and asks her if she’ll come back – she will. He declines to come in. Not tonight, he says. Looks like Donna better decide soon if she has feelings for him or not.
On the Louis and Sheila front, we see no under-mud sex acts this week, thank god. Instead, they indulge in some role-playing games: she plays a burglar who breaks into his house, there’s talk of a prisoner and guard scenario, and also of a story line involving a director of admissions (her real job) and a janitor.
When Sheila’s upcoming wedding announcement is printed in the Times, Gretchen warns Louis that disaster will ensue if he keeps seeing her, but he tells Rachel (wearing a lovely, work-appropriate blouse), when she asks if he would like a plus-one for the wedding, that he has never felt so confident and king-like since embracing his bad boy side.
That’s until he walks into Sheila’s office in costume as a nerdy professor (or something) and is introduced to Sheila’s fiance, Xander. Louis saves face (those theatre skills) and exits awkwardly, then overhears Xander mocking him, and Sheila going along with the mocking. Where’s confident King Louis now?
Like Harvey, Rachel also gets in some bantering time with Mike. Rachel and Mike’s conversations mainly concern a questionnaire on life plans that Father Walker has asked them each to complete, part of the pre-marriage counselling he’s giving them. Mike claims he’s not a planner (since when?) and can’t think that far ahead. Rachel introduces him to a game her parents used to play called Bullshit. The idea is to spitball crazy, half-formed hypothetical ideas at each other, without fear of censure.
So where would they be in the future if they could do whatever they wanted? Mike likes the idea of moving to San Diego, surfing every morning, and working 2 hours a day at a legal aid clinic that they would run together. Rachel suggests living for a year in Iceland, and having the adventure of a lifetime. Give the showrunner and writers credit – this conversation paves the way nicely for Mike and Rachel’s exit from the series, to happen at the end of the 3 hours that remain in this season.
Kim Moritsugu is a Toronto novelist and sometime TV show recapper. Her seventh novel, coming in June 2018, The Showrunner, is a darkly humourous, suspenseful Hollywood-noir novel about female ambition inside the TV biz. Check out its book trailer: