The food: Sweet Potato and Leek Vichysoisse


The story:

In my novel The Oakdale Dinner Club, the character Mary Ann, who is itching to have an extra-marital affair (for quasi-justifiable, “get hers” reasons, after her husband cheated), brings to a key meeting of the dinner club something another character refers to as “the unfortunately named” Engorgeous Soup. The recipe comes from a (fictional) cheesy cookbook Mary Ann has found called “Cooking for Lovers” – on another occasion, she makes a Chocolate Orgasm cake from the same book – and she hopes the soup will act as an aphrodisiac on her intended affair prospect.

I didn’t describe the soup in detail in the book, but the soup I had in mind when I was writing the passage was a Sweet Potato Vichysoisse that has been in my home repertoire since 1985, when I found the recipe in The Silver Palate Good Times cookbook.


The vichysoisse is smooth, silky, and rich-tasting, thanks to white wine and lime zest/juice that deepen the flavours of the sweet potatoes, leeks, stock, milk and heavy cream. A bowl of the soup, garnished with frizzled leeks as shown in my photo above, would make a lovely light lunch or supper served alongside a few chunks of toasted focaccia, say.

Sidenote: you can hear me talking about food, affairs and The Oakdale Dinner Club with the CBC Radio One “Host Shelagh Rogers at CBC Radio’s The Next Chapter web page.

Sweet-Potato Vichysoisse*, adapted from The Silver Palate Good Times Cookbook (by Julee Rosso & Sheila Lukins)

6 tablespoons (3/4 stick) butter
4 leeks (white part only), well rinsed, dried and sliced
6 cups chicken stock or canned chicken broth
1 1/2 cups dry white wine
3 large sweet potatoes, peeled and chopped
Grated zest and juice of 1 lime
1 cup milk
1 cup heavy or whipping cream
Salt and freshly ground pepper to taste

1. Melt the butter in a large stock pot over medium-high heat. Add the leeks and sauté until soft and transparent.
2. Add the stock, wine and sweet potatoes. Heat to boiling. Reduce heat and simmer until the potatoes are tender, about 15 minutes.
3. Let cool off the heat about 15 minutes, then stir in lime zest and juice, milk and cream. Season with salt and pepper.
4. Puree the soup in batches in a blender until very smooth.
5. The soup can be served hot or cold, with garnishes of your choice.
6. The recipe says it serves 6, but I find it makes more like 8-10 servings.

*Aphrodisiac qualities not guaranteed.


The summer finale of Suits did what well-crafted, satisfying stories are supposed to do: it gave us an ending that was unexpected but inevitable, an ending that surprised, yet made sense given all that has come before, in this half of the season, and even further back. So that was some good work by the Suits creators and writers – nicely done. Heck, I was so busy admiring the story-building skills on display in this episode that I hardly noticed the fashions. Except for when I paused to marvel at and envy the slimness of Sarah Rafferty’s rib cage in one of her many fitted white dresses, and when I was jolted into remembering some of my own long ago work fashion mistakes at the sight of the severe V-neck Glen plaid dress that Katrina wears in the scene when Jessica shows up to give her the axe. I hope Katrina, her loyalty, and her beautifully coloured curtain of blond hair get to stay for the winter part of the season, and that she gets some softer, more flattering clothes to wear too.

Harvey’s a little volatile in temperament, isn’t he? One minute he’s making his compassionate face at Louis on a fake-looking boxing gym set (the generic boxing posters, all in pristine condition, were the giveaway), and saying that he’ll do anything for the guy, and two commercial breaks later, he’s ready to go punch Louis out. Though I have to say that Gabriel Macht, a very handsome and fit-looking man, is the possessor of a lean build more suited to a male model than to a boxer, his demonstration of an acceptable array of punches notwithstanding. It seems more like tennis would be his sport. Or downhill skiing. Or yoga.

Anyway, Louis asks Harvey to let him take three clients from Pearson Specter to wherever he will go now that he’s resigned, because otherwise no law firm will hire him, and Harvey says he will speak to Jessica about it, though the firm’s by-laws, as written by Louis himself, do not allow for any client-poaching by departing lawyers.

Jessica, who always says no unless forced to say yes, refuses Harvey’s request and reminds him he should be worrying about holding on to his own client, a drug company called Versalife that may need to be dropped because of a merger going on with two other big drug companies. This means Mike, who has realized Jessica is not his biggest fan, and needs to hit a home run to win her over, must find a way to get past the dreaded SEC regulation 10b-6 which may inhibit the law firm from representing quite so many drug companies. Note: a quick google check indicates that 10b-6 is a real regulation of some kind, but let’s not bother ourselves with knowing another single thing about it. It’s not as if we watch this show for the legal stuff, am I right?

Harvey, still in the helpful phase of his compassionate-angry cycle, presents Louis with New Job Option #1: a corporate counsel position with Proctor & Gamble in Cinncinnati. Louis refuses this, compares Cinncinnati to Siberia, and says that New York is Rome, he and Harvey are both gladiators, and New York is where they must do battle. After ever-compassionate Donna suggests Louis might be happier in Boston so he can woo his former fiancée Sheila, Harvey arranges New Job Option #2, an interview for Louis with a law firm in Boston. I was briefly convinced that this Boston option was going to work out, and that Louis would continue on the show as a Boston lawyer who comes frequently to New York to do business, but no. Louis stops in to see Sheila at Harvard before his interview and the joyous reunion does not go as planned. Sheila sees that Louis is coming to her in desperation and refuses to be his way out. So much for Job Option #2.

Mike, who is almost as compassionate as Donna, though less inclined to have his eyes brim with attractive tears that do not affect his eye makeup, takes over a box of Louis’s shit that was left behind at the office, and tries to engage Louis in friendly chit-chat about a golden key that is the Chekhov’s gun of this episode. Louis’s request to be left alone to brood in peace spurs Mike to set up New Job Option #3: he asks Rachel’s dad Robert Zane to hire Louis at his law firm, though Rachel warns him that all her dad’s favours come with a heavy price. Like Rumpelstiltskin, I’m thinking.

Zane interviews Louis and says he will make him senior partner if he can bring just one client with him, more as a test of his legal skills to see if he can break the Pearson Specter partnership agreement than because Zane wants the client. Louis goes to visit a former client to try to take them back and runs into Katrina who says he mustn’t (and can’t legally) do that, but she tips him off to the opportunity presented by Versalife and that pesky 10b-6 regulation, and asks in return to be taken with him to Zane’s firm. And for the next twenty minutes or so, I thought, okay, this option is going to happen. I could see Wendell Pierce, the actor who plays Robert Zane, becoming a featured player again in season 5, and the who-owes-who-what-to-whom Rumpelstiltskian thing could come back to haunt various characters and yeah, that would work.


Louis manages to steal Versalife as a client, which gets Harvey fighting-mad, and gets Jessica pissed at Mike because she figures Mike alerted Louis to the opportunity. Mike comes up with an alternate plan that calls for a visit to old man Gillis (hello again, Michael Gross!). With Harvey standing by as referee, Mike apologizes profusely to Gillis for everything he did, said and fucked up with regard to the takeover of Gillis Industries, and makes an impassioned plea for Gillis to put aside his burning hatred of Mike long enough to buy a division of Versalife that’s developed an effective but not necessarily profitable drug to fight addiction (recall that Gillis’s dead son was an addict). Gillis agrees, and Pearson Specter takes back Versalife as a client.

Mike and Harvey celebrate their Versalife victory with a dinner out at which they lovingly if lamely call each other pussies, but they feel guilty enough about Louis to each try to make amends in their own way: Harvey visits Zane and asks him to take Louis on sans accompanying client, and Mike drops in on Louis to break the Versalife news to him, be told by Louis that he’s a brilliant lawyer (“No you are,” Mike says, and made me laugh) and casually asks again what’s up with that damned golden key, anyway.

Jessica acknowledges that Mike’s Versalife solution was crafty so he can stay a little longer, but tells Katrina to resign or be fired because Jessica knows what she did. A tearful Katrina agrees to resign.


Next comes the one-two punch of the episode and the whole summer season: two intense and powerful dramatic scenes that showcase the impressive acting range of Rick Hoffman as Louis. In the first, Donna comes upon Louis in Harvey’s office, asks why he’s there, and proceeds to crumple before our eyes as Louis moves from a state of casual amusement to quiet intensity to rage mixed with sadness over how Donna has betrayed his friendship by consistently lying about and covering up Mike’s fraudulent existence at the firm. You see, the golden key was something all summa cum laude Harvard graduates receive, which Mike would know if he were really one. Louis has finally figured out Mike’s secret and is ready to call the police and have Harvey, Jessica and Mike all arrested and charged with fraud. Donna too, maybe.

Louis leaves Donna gasping and barrels down the hall to confront Jessica, who reigns over their conversation in a full-on Ice Queen controlled fury. She admits to being a liar and a hypocrite, refuses to apologize, and calls his threat to watch her be led out of the office in handcuffs a bluff. Now tell me what you really want, she hisses. And only at that moment do we see how all the story threads have come together, how the setups have paid off in the perfect possible outcome. Only now do we say, out loud, to the TV screen, with Louis, that he wants to be – and will be – made a name partner. Of the firm to be known hereafter as Pearson Specter Litt.

Kim Moritsugu is a Toronto writer and novelist whose latest novel is a food-centric comedy of manners called The Oakdale Dinner Club. Her recaps of Season 4 of Suits are her first foray into the wild world of TV show recapping. Suits will return to the USA network and Bravo (Canada) in the winter of 2015.

This week, as usual, Donna and Jessica wore beautiful, expensive clothes and Rachel wore one of her ridiculous sleeveless tops, but what the episode was really about was the drama. And the fallout for sad, doomed, ruled-by-his-emotions Louis.


We begin seconds after the last episode ended: Harvey storms into Jessica’s office in time to hear Louis confess that he not only sent Forstman’s money off-shore for tax evasion purposes, he was ‘forced’ to take a million dollar payment from him to keep quiet about the underhanded accounting. Louis plans to confess to the SEC first thing the next day but Jessica doesn’t want that, because then Cahill will be proved right in his suspicion that Pearson Specter is crooked. So she sheathes the death-rays I predicted last week she would shoot from her eyes and burn Louis alive with, calms him down, and tells him to go home. Then she tells Harvey she’s mad as hell and will certainly fire Louis when this nightmare is over.


Harvey rebuffs Donna’s reminder that while Louis may have put the firm in jeopardy with his actions, so did Harvey the day he hired Mike. Not now, Donna. Harvey goes to see Forstman in the back of a swanky restaurant, asks him to undo the Louis agreement, and to fight fair with Harvey, his real enemy, instead. Eric Roberts, looking suave in a brown shirt, smokes a cigar in his best villainous manner, and says no. When Harvey threatens to uncover evidence of past dirty deals Forstman has done and report it to the SEC, Forstman scoffs – he’ll take his chances of that happening.


The next morning, Mike suggests that Pearson Specter ramp up the firm’s malicious prosecution suit against Cahill and Woodall. Thus begins the battle of the depositions: Jessica asks Jeff to find everything dirty he can on Woodall without telling him why, which pisses him off and leads to him telling Jessica the one thing he can’t abide from her is being lied to; and Cahill announces his first deposition will be from Rachel about the possible collusion between Mike and Harvey on the Gillis takeover.


Harvey suggests Mike prep a bib-wearing (or is that a napkin?) Rachel by practice-grilling her in the privacy of their apartment. Mike is initially reluctant but gets way too into it in a scene that starts with him asking questions about the takeover and segues into him browbeating her about Logan Sanders – did she sleep with him or not, and why should he believe anything she says? Rachel apologizes AGAIN, and says she will do so every day for the rest of her life (come on now, is this much abjection really called-for after one lousy, if long, kiss? I think not) but Mike still can’t trust her, and after Rachel went out and got Mike his favorite bean-and-cheese burritos that she hates but that he loves. If you ask me, that’s enough bowing, scraping and placating from her. She later suggests to Mike that he could maybe ease up on being cruel and vicious to her while pretending to do work stuff. To which he replies that he hasn’t slept well since she told him about Logan, and hey, neither has she.

Harvey and Jessica take depositions from Woodall and Cahill, and using information obtained by Jeff, expose Woodall’s history of trumping up criminal charges against those he wants to take down. Jessica is confident things are going their way, and dismisses Louis when he appears in court the next day because he wants to help, but Cahill reveals to the judge that Jessica is having a personal relationship with Jeff, which makes her motives suspect when she hired Jeff away from the SEC, so that didn’t go so well. And I desperately want for myself her hair, her suit, her height and her bearing in this scene.


Cahill deposes Harvey and Mike first, instead of Rachel. Our two heroes answer Cahill’s questions by comparing themselves to brothers who fight and make up, Harvey uses sports metaphors to praise Mike’s abilities, and they deny profiting from the takeover so convincingly that Cahill leaves the room intent on finding out who did benefit from the deal (Uh-oh, Louis).

Louis thought Jessica might be merciful and not fire him until Katrina accurately compares Jessica to a Mafia boss who talks nice to your face and then orders someone to slit your throat. When Louis finds out Cahill is hot on his trail, he goes to the SEC to confess, though Jessica had expressly told him not to. Only Cahill is not there, so Louis speaks to Woodall, who tells him not to worry about it and lets him go.

When Jessica finds out about this, she’s doubly or maybe quadrupally pissed at Louis, even more so than when Donna followed her into the restroom to make a case for him, and Jessica asked her to butt out unless she wanted Jessica to fire her again like that time in Season 2 when Donna made a mistake.

Mike and Harvey come up with a theory that Woodall and Forstman are working together against Harvey and they stay up all night with their shirtsleeves neatly rolled up and their ties only slightly loosened trying to find evidence of Forstman having paid Woodall dirty money to get him on board. In the morning, Louis shows up in a rumpled, he-hasn’t-slept-either shirt and suggests that Cahill could get access to Woodall’s bank accounts and find the proof they need, if he wanted to. If he’s not also in on the scheme.


Mike, Harvey and Louis visit Cahill at his office – he gets off a not-bad Witches of Eastwick joke about these three musketeers showing up – and it turns out Cahill is semi-honest, because he asks Woodall about his bank account and it’s like Dorothy throwing the bucket of water on the Wicked Witch of the West. Woodall sinks into a pool of shame and guilt on the floor and that’s him done with. And Cahill won’t prosecute Louis in exchange.


Back at the office, Jessica is wearing a giant green brocade lampshade (by Giambattista Valli), but she’s still going to fire Louis’s ass, no matter what Harvey or Mike or Jeff or anyone says. Harvey volunteers to do the deed in a kinder, gentler manner, Donna goes with him for moral support, but Louis has beaten them to the punch and left behind a resignation letter which we hear in voice-over over a montage of Louis leaving the office with his framed degrees and Rachel making nice by giving Mike a framed photo of him as a child with his parents. I’m not sure what that was all about. More placating, I fear.

Louis explains that he quit rather than put Harvey and Jessica through the painful process of firing him, but that Pearson Specter is everything to him – his home, his family, and his life, and while he doesn’t deserve to have his name on the door, he hopes they will look after the firm for him now that he’s, wait for it, gone.

Next week in the summer season finale, Mike has maybe fucked up, Jessica is angry, and the big question is not has Louis really gone from the show, but how and when will the writers bring him back?

I’ve spared you a pic of the rather unsightly opening image of this week’s episode, which is of Patrick J. Adam’s patchily hairy chest and nipples, half-covered by bed sheets. Suffice to say he wakes up alone in the hotel room he repaired to after telling Rachel he needed space the night before at their apartment. And he is sad/pissed.


Rachel is also sad when she wakes up, her chest covered by a cute T-shirt, on Donna’s couch, which means no one slept at the apartment she and Mike share. That was a waste of some pricey real estate, but this way Rachel gets to hear Donna give her advice in the form of admitting that she slept with Harvey once and never again because now they work together and everything is as it should be. I had trouble following Donna’s logic here but the bottom line is that Donna thinks Rachel should give Mike the space he has requested. And she can borrow anything she wants from Donna’s closet to wear to work!


Jessica and Harvey meet at the office early in the morning. Jessica is wearing a black jacket and high-waisted white skirt that make her look like a chic penguin but she totally pulls it off. Her hair, makeup and necklace are also looking damn good for 7 am or whatever time this is supposed to be. Jessica reminds us she’s not happy about Mike coming back to the firm, and Harvey smiles like he is happy until they run into Cahill who hands them a search warrant for the Gillis takeover files. Jessica refers to herself and Harvey as Bonnie and Clyde and they’re going to fight this, damn it! They rush downtown and convince the judge to revoke the warrant on a technicality then walk down the center island of University Avenue in Toronto past the landmark Beaux Arts Canada Life building that is across the street from the provincial courthouse in real life so that worked out neatly. Harvey suggests they hand over the files anyway seeing as he and Mike did not actually collude when working on opposite sides of the takeover but Jessica says no.


Donna greets Mike with “Hello Sailor” though she’s the one who looks nautical in her high-waisted white skirt (white garments being de rigueur this episode) and blue wrap top. She shows Mike his new office and takes credit for arranging it for him. Harvey also takes credit and points out that the new office used to be his, so there – he loves Mike more than Donna does.


Mike and Katrina exchange some silly “Shi-i-t” hellos. She gives him a funny awkward hug because she has become Louis and also because her dress is neither white nor high-waisted. She recaps that last week, to get Mike hired back, Louis gave up asking for a rearrangement of his work schedule that would have helped him to reconcile with Sheila, so Mike should be grateful. Katrina’s hair looks awesome as usual though not as awesome as Blake Lively’s hair in the L’Oreal Preference commercial that ran during the episode, which was timely because I was thinking about good old Serena the night before when I watched the movie Safe House starring Ryan Reynolds while I was ironing (don’t ask). I hate to sound naïve, but can Blake Lively’s hair in that commercial possibly be all real/her own?

Louis freaks out when Mike tells him Cahill is after the Gillis takeover files because of the incriminating Forstman-spawned document I’m calling the Letter from now on. Louis has already buried the Letter deep in the bowels of the file room but he conscripts Katrina to further cover his tracks, and goes to see Forstman (still on the show!) to try to get the Letter reversed or eradicated. Forstman unhelpfully suggests that the only way to do that would be to have Louis redo the Letter to frame Harvey for the felony that Louis has committed in signing it.


Much ado about the files – which are basically the Wexler shares of this episode, and possibly the next – follows, including a bit where Jessica, in bridal-style white ruffles, gives Harvey shit for letting go of Logan as a client. We watch in some boredom as the characters debate whether some of the files should be handed over to Cahill, no, all of them, no, some of them, should we, shouldn’t we, will Louis be exposed, and was it really necessary to have Harvey debase himself by making creepy sexist jokes to Mike about Kate Upton and how all women want a daddy? The short answer: by the end of the episode Cahill uses an off-screen Logan to gain access to all of the files.


Rachel totally ignores Donna’s advice and gets all up in Mike’s grill in the library. She tries being friendly, she tries saying Harvey told her to help him with the case, but Mike won’t talk to her. Donna finds out about this and chews Rachel out in a wrap (top) battle, which is even funnier than the pun I just made because both wrap tops are presumably Donna’s. Rachel later approaches Mike again because she’s stubborn (and annoying) that way. She apologizes repeatedly, but he still needs space and time so he can get the horrible image of Logan grabbing Rachel’s ass out of his head. She reminds him of the time she had a horrible image in her head of him with Tess (his pot-smoking ex who he smoked and slept with though she was married).

Screen Shot 2014-08-07 at 12.49.39 PM

Rachel drops in on Mike at his hotel room (because dropping in on her love interests at home has worked so well for her until now) and makes a get-off-your-high-umbrage-horse-and-come-home-already proposition: she demands that Mike decide, and soon, if he loves her more than he hates what she did. So at the end of a long day spent fighting Cahill and figuring out that Louis is grappling with a moral dilemma, Mike appears in Rachel’s office doorway and makes this cute face to indicate they can forget about listing their apartment on airbnb and go home to it together.


Louis’s emotions get a real workout this ep – he’s safe! he’s out! he’s funny! (LOL funny, more than once) he’s tragic! – including in this scene where he attempts to give Katrina an awkward hug. I kinda love these two now, who would have thought, especially when Katrina forges a document (to replace the Letter) that would save Louis’s ass but could ruin her career. He refuses to accept her sacrificial gesture and goes to Jessica to confess that he made a huge mistake. Cue Jessica shooting death-rays of fire and ice out of her eyes starting in 5-4-3-2-1-

We open with Rachel in her kitchen putting finishing touches on a large roast. I wonder if the prop people/food stylist sourced it from Sanagan’s Meat Locker, a hip artisanal butcher shop in Toronto’s Kensington Market that Meghan Markle frequents (so do I! though, it’s more like I infrequent it, which may explain why I haven’t seen her there), according to this photo fashion/lifestyle story posted about her by Holt Renfrew, a high-end, high-fashion department store that I do not shop at, ever.


I’m not sure it’s a great idea to cook a big meaty dinner when a) your boyfriend has just been fired, and b) you’re about to tell him you made out with your douche-y ex, but b) doesn’t happen because Mike is all down on himself about his failures and mistakes so Rachel goes into supportive girlfriend mode and comforts him instead.

Harvey delivers some kind of legal letter to Cahill in a bar and says he will see him in court for harassing Harvey and his clients (or for just being annoying). Harvey does his tough guy routine and offers to fight Cahill mano a mano anytime.


Forstman (still on the show!) does a Town car drive-by, in the classic Chuck Bass style, to Mike, outside the Toronto Ugg store on St. Thomas Street. Forstman calls Mike an “obsequious little shit,” again offers him a job, and hands over a million dollar cheque that would be a signing bonus if Mike accepts. Mike says no way, but Forstman gives him a day to mull it over.


Jessica offers Louis a thank you reward for his help with the Wexler shares – she’ll give him anything he wants except the one thing he does want: to be made a name partner. When he seeks Katrina’s help in brainstorming a suitable reward, a funny scene happens where she says she is almost attracted to him at that moment and he tells her not to creep him out with that gross attraction talk. He eventually settles on some provisions to his contract for telecommuting and extra vacation that he thinks might improve his chances of a reconciliation with Sheila (though wasn’t children the dealbreaker issue with those two?).

Donna, wearing a black dress I could not get a decent pic of that has a built-in superhero cape, uses her powers to send Harvey over to see Mike on a sympathy visit. Mike reveals that the devil Forstman got him fired AND has offered him a job. Harvey offers to find Mike a better job, but Mike despairs about his future, what with his fraudulent past and all. Harvey pays a visit to Sidwell (also still on the show!) and offers him what sounds like an insider trading tip in exchange for Sidwell hiring Mike back, but in a scene blocked so that extra tall Brandon Firla does not stand in the same frame as regularly tall Gabriel Macht, Sidwell will have none of it.


On Harvey’s suggestion, Mike meets on the Hart House quad at U of T with Stan, a fraudster of his acquaintance from season 1 who posed as an accountant for years but now does statistical analysis for a fantasy football site. After Stan opines that the people in your life are more important than money, Mike goes home, makes spaghetti sauce for Rachel, who is wearing one of her signature is-it-underwear-or-is-it-clothing tops, and tells her she’s all he needs. She starts to cry and spills the beans on having kissed Logan, though she’s so sorry and it meant nothing. Mike reacts to this revelation as if she’d been sleeping with Logan for months, and goes over to Logan’s condo to tell him to keep his hands off Rachel. Logan taunts him (because he would) with a “she loved it” line – like Logan is such a superior kisser and ass-grabber – and a fistfight ensues that leaves Mike with a split lip and Logan with bruises around one eye.

When Mike confronts Rachel the next morning at her office building about “loving it,” she fails to deny having enjoyed the Logan makeout sesh, and Mike tells her they’re done. She tearfully confides in a sympathetic Louis that she is crushed because she loves Mike but love doesn’t conquer all, as he should know re: Sheila. She then runs into Logan in her office and tells him they’re done – she will never speak to him again, about anything. Harvey later guarantees Logan’s exit when he gives him the final paperwork on the takeover and announces he is dropping him as a client, and no backtalk unless he wants to get punched again. Bye-bye Logan.


Jessica has a run-in with Jeff over having asked Louis to check his work, which leads to Jeff huffily suggesting they keep things strictly professional from now on, because he’s pissed she didn’t trust him and that she treats him like any other partner. Later, wearing a navy dress/outfit with a wide cummerbund that looks positively regal on her, she apologizes, and admits she doesn’t want to stop sexing with him having a personal relationship due to work bullshit.


Louis still hates on the illegal tax-sheltering money maneuvers Forstman insisted on, and is further compromised when he is forced to sign a letter that Forstman will keep as insurance against Louis later blowing the whistle on him. Or something like that. (Look for this incriminating letter to bite Louis in the ass later this season.) On his way out of Forstman’s office, Louis runs into Mike, who is coming in to accept the job offer from hell, now that he has nothing else (that is, Rachel) to live for. Louis can’t and won’t let Mike work for the devil Forstman so he goes back to the office and announces to Harvey and Jessica that he has hired Mike back to the law firm as his thank you reward and forget the other things he asked for, except he would still like to have Rosh Hashanah off. In a deftly and amusingly acted scene, Harvey shows that he’s pleased because he had asked Jessica to hire Mike back, and Jessica that she’s pissed because she had told Harvey no. And Mike is back at Pearson Specter!

m&Rat home

Mike has been staying at Harvey’s apartment since the break up with Rachel. After Mike and Harvey indulge in some bromantic insulting/joshing, Harvey advises Mike to forgive Rachel despite the fact she cheated on him (kissing is cheating now), which is Harvey’s pet peeve, as Donna reminded us when she instructed Harvey to speak to Mike about this. Anyway, Harvey knows that the love Mike & Rachel shares is real and real love is hard to come by, so forgive her already. Rachel comes home and finds Mike there, which gets her hopes up for a minute, but he’s packing to move out to a place unknown. The only conceivable way their relationship MIGHT be saved is if they spend some time apart, he says. But hey, see you at work tomorrow!

Multiple appearances by Suits USA merchandise (mug available in the online gift shop on your way out), tense meetings, blue files handed back and forth, tight dresses worn well, Rachel bringing her hotness to makeout scenes, Eric Roberts pwning crisp white dress shirts worn open at the collar, and Harvey taking a break from being angry to joke that he’s George Clooney’s better-looking brother – this episode has it all!


Louis, in good spirits (because of his triumph as Shylock last week?), dance-walks through the office handing out his You’ve Been Litt Up mugs to deserving colleagues. Donna, who looks fetching in a sexy-widow-type black cocktail dress, receives a mug containing a necklace that’s a replica of one worn by Dame Judi Dench when she played Ophelia (Dench actually did play Ophelia in London in 1957). Donna is touched by this gift. Louis is grateful Donna helped him overcome his stage fright and asks her to give Harvey a mug too.

Sidenote: I’ve recently discovered wornontv.net, a website that identifies selected styles (and provides info on where to buy them) shown on selected TV shows, including Suits. The site is how I found out that some of the beautiful dresses worn by Donna and Jessica can be bought at retail for prices that begin around the $1,000 mark, and go up from there. Of course they cost that much.


Jessica is worried about “exposure” on her sneaky purchase last week of those boring-as-hell Wexler shares so she asks Jeff Malone to double-check his work. When he refuses, Jessica, wearing a pink top I don’t like with lovely silver-rimmed pink crystal (quartz?) earrings that made me want to get my ears re-pierced so I can wear them, takes Louis out to lunch and asks HIM to double-check the transaction.


Louis praises Jeff’s work but finds a small error that will allow the firm to cancel the sale and not get caught doing something untoward. Jessica is pleased but tells Louis not to take any action until he checks with Harvey. When Harvey doesn’t return Louis’s calls, Katrina (She’s back! With her hair as beautifully styled as ever, though Amanda Schull must be bummed at how little screen time she’s gotten in the last three episodes) urges Louis to act quickly before Jeff figures out his mistake, corrects it and gets the glory.


Louis offloads the shares, Forstman scoops them up, and Harvey gets super pissed off, like he has done every episode this season – being without Mike is making him SO cranky. Louis meets with Forstman and puts on a convincing performance (no stage fright there) as someone who hates Harvey with a passion (the diary he produces that lists, by date, every insult Harvey has ever hurled at Louis, is a nice touch) and will do anything to fuck up his deal.


Louis gets the shares back from Forstman for Logan to purchase, and his successful subterfuge makes Harvey happy enough to suggest that he and Louis drink Scotch together in Louis’s mugs, which is not a euphemism. (Or is it?) Except Forstman makes Louis do illegal tax-evasion things with the money, which Louis does not tell anyone about except Katrina, nor will he refuse to comply, because Harvey likes him again and that’s worth being dishonest and compromising his principles for.


Rachel, Rachel, Rachel. Rachel does that thing we’ve all done where we go see the guy we used to be into and pretend we no longer have feelings for, with an ostensibly above-board and high moral ground excuse that nevertheless requires dressing up in a low-cut top that looks like the top half of a nineteen forties bathing suit underneath a fabulously chic light grey wool coat (by Burberry, according to wornontv.net, and it costs only $2,495!) that’s all business. She also visits Logan at his condo in the early morning (again) when everyone knows early morning drop-ins end badly. Especially when you indulge in shivery flashbacks on the way over in the cab of that time a few years back when Rachel acted completely out of character and steamily seduced Logan, the married man, in the law firm library, when he just wanted to do the right thing and go home to his wife.


Logan sees through Rachel’s fabulous coat to her looking-for-trouble bathing suit top right away, calls her on her motives in coming over, recites back her come-on line from the flashback about their sexual chemistry, and starts a makeout sesh with her full reciprocation (though he goes awfully quickly to the two-handed butt grab, didn’t you think?) until she shakes herself out of her sexual stupor and runs out of the apartment. She spends the rest of the episode confiding in Donna and wringing her hands about is she a bad person and how could she betray Mike and should she tell him what happened. Donna says Rachel is a good person who had a bad moment and warns her against telling Mike. Rachel decides she must tell him anyway, because drama. And conflict.


Mike spends this episode in a series of one-on-one meetings with Harvey, Sidwell and Forstman, and a two-on-one meeting with Logan and Harvey. Throughout, he acts clever, cocky, secretly nervous, and like he might manage to complete the takeover and find a way to not cut Sidwell out of the deal as per Forstman’s decree. But it all blows up in his face, because Forstman is the devil, and Mike won’t leave his personal animosity toward Logan out of his business dealings, and let’s face it, Mike can’t succeed without Harvey at his side to complete him.

Sidwell – played by a Canadian actor named Brandon Firla, who has a very amusing, self-deprecating bio on imdb.com and who is hella tall (6’5”+), enough to tower over not-short Patrick J. Adams in their final scene – fires Mike. So much for Mike’s investment banking career. Wait till he gets home and Rachel tells him what she’s been up to with Logan! Fisticuffs will ensue, also attractive facial cuts and bruises, according to next week’s preview. And weed smoking, I bet.


Rachel is asleep alone in bed (in full eye makeup and a cute sleep T-shirt and shorts) when her cell phone vibrates, Logan calling. She does not pick up, but freaks out when she sees it’s past 9 am, and figures out Mike turned off her alarm so she could sleep for all of 6 hours. But she can’t afford to sleep what with the demands of law school and law work and Harvey the mean boss, can’t Mike see that? He suggests she ask Harvey for a day off.


Harvey catches the end of a Cahill-prosecuted trial on the courtroom set and engages Cahill in a pissing contest in the aisle. Actually it’s more of a silly who-played-with-tougher-toys-as-a-child contest, which Harvey wins by saying he was a Rock-Em-Sock-Em guy as opposed to Cahill and his wussy little Battleship barbs. Which means they were both not tough at all since actual tough kids play with kitchen knives and bent crack spoons, duh. Harvey threatens to have Cahill fired if he keeps going after Harvey’s clients, but Cahill is not scared.

Mike exposits to Amy, who looks a little more mature this week (because she’s not wearing a girlish tunic dress?), that he hasn’t taken Forstman’s money yet. Maybe he can just use it as leverage (again with the leverage!) against Harvey and Logan. He meets Harvey by an elevator bank and tries to do this but Harvey sees through his bluff right away and says no dice. Foiled again.


Harvey goes up the elevator (continuity!), and talks to Jessica about some Gillis Industries shares that the Wexler hedge fund  will soon be offloading. (These Wexler shares will be discussed far too many times during the episode.) Jessica acts all bossy when she tells Jeff Malone to find a way to acquire these shares, by hook or by crook, but she says this while wearing a tight white dress that verges on being bridal, with basketweave panels on the bodice and the hip and an off-the-shoulder sleeve/strap thing. The dress looks good on her but the costumers are just fucking with us now – the dresses Jessica and Donna wear are gorgeous and flattering, but they are so not office-wear.


Donna is going to perform the role of Portia that evening in an amateur production of The Merchant of Venice with a three night run. I know, what? But just go with it, because this subplot is the big (and only) story line in which Donna and Louis appear in this episode. Louis finds her rehearsing her lines in the file room, is shocked to discover she is not yet off-book, and offers to help her learn her lines, even if it takes all day. He is well-equipped to do this because he happens to have memorized every word of every Shakespeare play. (Like I said, just go with it.) She confides in him that she gave up her acting dream when she was younger to get a paying job but has always wondered if she would have made it as an actress, and what if it turns out she is not good? He gives her a rousing pep talk that includes a mention of the stage fright he has suffered since grade school when he wanted to play a molar in the school play and was assigned the part of Plaque Man (heh) instead, then mocked for it.


Mike and Sidwell (whose first name is Jonathon) have a bonding moment over Sidwell’s tombstone awards, which are these cheap acrylic trophy things that are apparently imprinted with details of financial achievement and given to banker types on completion of big deals. (Talk about nerdy toys.) Or it would be a bonding moment if Mike weren’t worried about having to cut Sidwell out of the deal as Forstman has decreed.


After listening to and smiling at a voicemail from Logan saying his Board loved her takeover suggestions from last week, Rachel, in a suitable shirt for once, asks Harvey for “a day or two” off so she can do some of her law school homework. Harvey gives her total shit and says no. Joke’s on him when she faints in class the next day and is hospitalized for exhaustion, and he’s called because he’s one of her emergency contacts. Bad Harvey.


Donna tells Louis she triumphed on night one of her Merchant of Venice run (though, if you ask me, there’s a pretty gaping plothole here that Louis didn’t go see her perform after coaching her the whole day). She asks Louis to fill in as Shylock for night two, because the show’s Shylock broke his ankle. Louis agrees, gets dressed up like this (that’s some expensive getup for a community theatre production), but is seized with stage fright just before his entrance. Donna talks (yells) him out of it, and he goes on to his own triumph, only to withdraw from night three because he’s happy being a lawyer. Donna reveals the play’s lead did not actually injure himself (but agreed to give up his part for one night? How likely is that? Not. Gaping plothole number two) and that she wanted to give Louis a chance to shine. Donna and Louis compliment each other in their own bonding moment.


After a meet-awkward at the hospital where Rachel is “resting” under sedation (?! ) – totally not how I was treated when I fainted in a public place and was taken to emergency by ambulance a few years ago, but never mind – Harvey calls off the dark pool bidding auction he and Mike were about to have for those damned Wexler shares, and the two go out for a steak dinner. Noted vegetarian Gabriel Macht gamely puts food that could be fake steak in his mouth in this scene, and Patrick J. Adams doesn’t even pretend to eat. They share the third bonding moment of the episode when Harvey shows Mike a pic of Louis in his Shylock costume, complete with codpiece, and indulge in some not unfunny speculation about the size of Louis’s dick.


Harvey and Mike are almost kind of getting along like they used to when they worked together when Cahill ambushes them on the sidewalk outside the restaurant. He’s having them watched and he thinks he can make a case for the two of them colluding on this takeover deal what with Rachel working for Harvey and living with Mike and the number of clandestine meetings Harvey and Mike have been having at elevator banks, hospitals and steak houses. He also tells them someone (Jessica!) bought the damned Wexler shares, which makes Mike feel like Harvey played him, and makes Harvey swear he will “fix it” but when he tries, Jessica won’t let him. Oh and Mike tries to return the money he got from Forstman but he can’t because Forstman has now told Sidwell about it without telling him that Mike will cut Sidwell out of the deal. Meaning that Mike is now not only in bed with the devil, he’s being … FOILED AGAIN.


Rachel wakes in the hospital from a bad flashback/dream in which Logan proposes to her, then morphs into Mike, whom she calls a fraud she could never marry. She’s soon back at the office, where there is a thoughtful bouquet with a warm but not cloying note from Logan saying he’s glad she’s okay. On the way out of the office, Donna, wearing a pretty lace-trimmed blue dress that reveals too much lace-framed cleavage for work, runs into Harvey, who waits for her holding a bouquet of flowers and standing next to a lingeringly and lovingly shot product placement Lexus. He’s going to drive her to the theatre and catch her closing night because he may not be a Shakespeare fan but he’s a Donna fan. Good Harvey.


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